Looking back now I marvel
at all the years I chose to see the world through disks of glass, peering
through prismatic lenses so finely ground and polished. Those glossy optics
inter-mediated my experience, framed my perception, protected me, an artificial
eye between me and actual experience. As a photographer, the camera always dangling from a sling
over my shoulder actually affected my posture with its ubiquitous, weighty
presence, causing a slight slouch, a stoop, a very subtle listing to starboard.
For many years that camera shaped my world and gave me focus. And quite
literally reshaped me in the process.
Then of course I moved on
to a different type of lens, a screen, whose cathode rays have now
bombarded me for decades, whose plastic frame has provided a window
through which I can interact with the world, can take it in, can stand witness, behind which I can hide. The voyeur needs the glass, the safety of the
separation from the subject. But it's often hard to see how such things affect us,
how they change us, how their very presence makes us something other than what
we are without them. The glass is transparent, but not invisible.
Rudy Project Rydon |
So if you see me staring vacantly off into space, idly staring out a window like a child in the back seat on a cross country road trip, don't just assume I am lost in my customary stupor. I may be engaged in re-configuring my brain to navigate a newly discovered world or merely marveling at the astonishing variety of textures in the road surface.
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